Part two of our shopping guide continues with some lovely coloured vinyl from the Leisure Society and a sweet-sounding collaboration from Willy Mason and Brendan Benson. These are the things that should be getting you out of bed. Bob Dylan…
For many, Some Were Meant For Sea, the 2011 debut album by Tiny Ruins, arrived as a complete and perfect thing out of nowhere. Now, rather than ploughing on forwards, New Zealander Hollie Fullbrook is filling in the back story…
The For Folk’s Sake team live tweeted our first listen of Laura Marling’s forthcoming album Once I Was An Eagle. Read our knee-jerk reactions here…
With only one EP titled In Your Mind, he is yet to be signed – the third track from this debut effort however, will make you wonder why. In This Town floats through the salty soundwaves with a smooth harmony.
It would be over the top to suggest that, at the age of 22, it was make-or-break time for Alessi Laurent-Marke. But there is no denying that Alessi’s Ark needed a third album of substance, something to erase words like…
According to Haiku Salut themselves, the sound they make is “Baroque-Pop-Folktornic-Neo-Classical-Something-Or-Other”. Whatever that is, they can safely claim to be Derbyshire’s premier exponents of it – a fact demonstrated on Tricolore, which helpfully comes with a series of wonderful drawings…
Trying to get a handle on Hiss Golden Messenger’s fourth album isn’t easy. Named for a river – which gave its name to a now lost Indian tribe – in North Carolina, Haw meanders through an array of different styles.…
Obituaries are quite clearly the best part of the newspaper. Why? Because you get a short and easily digestible bit of history, written by a person with actual knowledge of the topic, and you always learn something new. It’s perhaps…
Annie Dressner sings deftly-told stories with a comforting love of the everyday. East Twenties opens with ‘Heartbreaker’, settling old scores with nostalgia and forgiveness: “But I won’t be back again, no I won’t be back again”. ‘I Can’t Forget’ deals…
This self-titled EP from Anna Lena & The Orchids is full of doomy beauty; they cite influences as diverse as PJ Harvey and Grizzly Bear, but ‘See It In Black’ reminds me of Radiohead, in that its creepiness shrouds an…