Accordion and flute player Gill Sandell has been part of many bands – many of whom have contributed to this labour-of-love debut album – so our panel jumped in to see if it was worth the wait… James Rutherford: I never…
Album: Amy Lashley – Travels of a Homebody
Fans of a more traditional Americana sound should find plenty to like about Amy Lashley’s latest record Travels of a Homebody. Combining blues, country, folk and even a little jazz, Lashley playfully switches between the styles in a manner akin…
Festival review: Honeyfest
There’s a new contender for the UK’s loveliest small festival. Honeyfest was organised after villiagers in the Wiltshire town of Pewsey were given lottery funding to take over the running of their local pub, The Barge Inn. As well as…
Album: Alela Diane & Wild Divine
Filigree-wearing femmes, gun-toters and life stories in three minutes are staples of country music that FFS adores, and Alela Diane’s third studio album has served to deepen our adoration. As if we needed any help. Her rich, clear vocals are like…
Album: Eliza Carthy – Neptune
For those young adults (like myself) who grew up listening to traditional folk music it feels quite surreal, even disarmingly uncomfortable, to have to weave into an Eliza Carthy review a brief description of the artist herself, of where she…
FFS on London Fields Radio #6
We play tracks from The Leisure Society, Fleet Foxes, Joni Mitchell and Jackson Browne, and FFS’s reviews editor Ian Parker calls in for a chat about the best new albums. There’s also two tracks from Brian’s mixtape: Imitation & Flattery,…