Christine Sweeney’s Heart in a Hurry is a culmination of parts. Musical that would normally be perceived to clash despite their shared roots—R&B and folk—feel right at home on the album. It’s the New York singer-songwriter’s first LP since 2014.…
Listening to Father John Misty it’s easy to get confused, Chloé and the Next 20th Century goes in two different directions at the same time. Musically, the initial moments of Chloé sound like something out of the 30s, bouncy muted horns and piano lead…
Drew Cooper is instantly identified for numerous qualities—his gritty voice, driven roots-rock, and a bighearted persona that has won him audiences through the southwest. “Coop” finds his home somewhere between southern Arizona and Texas; a Tucson boy laid his hat…
Valorie Miller’s first album in five years is prepped to grace our ears on 6 May. Only the Killer Would Know (Blackbird / Indie AM Gold) is rooted in as harrowing a story as its name might imply, though it’s…
Combining Hannah Peel with Paraorchesta is one of those feats of attraction that cannot be denied, and The Unfolding, the fruits of their labour, is a masterpiece that defies genres. Peel began her career as something of a folk artist, although…
With ‘All the Lives We Ever Lived’, Graeme James delivers a tune as warm and mysterious as the autumnal season. The track is suitably epic, featuring striking layers of vocals and instrumentation. The melody that he pronounces with his violin…