Peaky Blinders may be over and finished – at least on television, with a film and likely other projects planned for the future – but here to put a bow on it is Anna Calvi’s EP drawn from her work scoring the…
Westchester singer-songwriter Arielle Eden is finding her stride in the pop-country scape. ‘U-Turns’ is a slickly produced tune that confidently meshes organic and synthetic instrumentation. Neither one element hogs the spotlight from the other; rather, they’re evenly tended to by…
Suzie Brown’s ‘Bulletproof’ is instantly relatable for many of us, relaying an empath’s feeling as they navigate the turbulence of the last few years. Musically, it’s an infectious cut of Americana that the artist, cardiologist, and mother tackles with a…
In 1904, Elizabeth Cotten wrote her popular folk song, ‘Freight Train’, at just 11-years-old. Throughout her 90 years on Earth, she helped to mould contemporary American roots music and, thusly, is a pioneering face of modern folk and blues. With…
For his second solo album since time was called on Sheffield’s Slow Club, Charles Watson seems in a bucolic mood. Gone are the woozy layers of 2018’s Now That I’m A River, replaced by a bright straight-forwardness. Yes is a perfect…
Since the release of Yesterday Is Gone in 2020, Dana Gavanski has been through the wringer, making When It Comes virtually a new beginning, albeit one that almost didn’t happen. During the pandemic Gavanski lost her voice. With no tours, writing a new album…