The Drive-By Truckers have carved a career out of creating, what is on first listen, very generic country rock. But once given time by a listener this generic country rock can seep into your heart and become the music that a person will carry with them for their whole life. They are a band that fans will sing about from the highest mountains, but to the rest of the music buying public sound as dull as dishwater. There is no doubt that the Truckers have an amazing ear for a tune that can wrench at the heart, because nobody flukes upon rock ‘n’ roll gold as much as they have, but it’s a delicate tightrope that they walk, and they rarely stray from what they are good at.
Category: Reviews
Album: Homelife — Exotic Interlude
Homelife’s sound is one I found pretty hard to pin down and analyse. The first track sounds like a band that would play Woodstock with flowers in their hair and peace signs on their guitars. Moving through you hear an intense Hawaiian theme- suddenly you’re transported to a deserted beach on Maui craving a hog roast. Next thing you know the music takes a turn for the modern and you’re at a bohemian house party with people smoking shisha and discussing politics. In other words, this album is fantastic.
Album: Piney Gir – The Yearling
So here comes Miss Piney Gir, a Kansas country lady based in London, with her third album and vintage dresses and toys as part of the project troupe as far as visuals and tunes go.
Album: Richmond Fontaine – We used to think the freeway sounded like a river
If there is something that characterizes Richmond Fontaine, this alternative country band from Portland Oregon, is their ability to recreate imagery into music. Willy Vlautin – vocals and guitar – is well known for this art. Yet this album combines his skill with an additional display of pure American songwriting spells and traditional rock and roll bravado.
Single: Noah and the Whale – Blue Skies
It’s hard to isolate “Blue Skies” from its album, “The First Days of Spring”, but seeing as it makes such a beautiful single, it’s worth a shot.
Noah and the Whale (namely Charlie Fink) have evolved massively as songwriters since last year. This is something “Blue Skies” optimises perfectly. The track builds up an air of expectant hope, not only in the lyrics (‘Blue Skies are coming/But I know that it’s hard’) but also in the opening bars of music that peak into a soaring chorus and then ebb back into place.
Album: Andy Nice – The Secrets of Me
Andy Nice has played cello with screaming gothic pervs Cradle of Filth and bald techno ravers Orbital, and is currently in string + dance combo Instrumental. He also has a name more suited to a particularly over familiar used car salesman.
Ignoring the fact he’s currently touring with deep-voiced chamber-pop stars Tindersticks and the embroidered patch on the front of the cd, you’d be forgiven for thinking there’s not much here for the good people of FFS. But press play and an entirely different sound to that expected issues forth – arresting, emotional, complex yet melodic cello music. And it really is cello music, pretty much just that instrument, with songs formed from layer after layer of rich string sound.
Album: The Dodos – Time to Die
There are some astounding duo acts out there, and The Dodos’ 2008 album Visiter easily set them apart from the rest. This year’s Time To Die does not disappoint and sees the duo become a trio, introducing vibraphonist Keaton Snyder into the mix with exciting consequences.
Album: Dust Poets – World At Large
Murray Evans really needs a redneck drawl, a proper Bible-belt country style voice, because it would really fit a lot of the songs on World At Large. Having the voice would definitely do something for the album, which otherwise is a little lacking. Evans puts on a fairly good redneck impression on the track ‘Codeine Dreams’ and it improves (perhaps that’s not the word I want – affirms?) it greatly.
Album: The Cave Singers – Welcome Joy
There is something rather comforting to this album, an almost homely feel to the slightly country influenced brand of folk that The Cave Singers create. Perhaps it’s the acoustic simplicity that gives this air of unassuming naïvety to the album, or perhaps it’s the hint of a croak in lead singer Pete Quirk’s voice; either way the music is trustworthy.
Album: Theoretical Girl – Divided
When I looked up Theoretical Girl, (AKA Amy Turnridge), on wikipedia they described her music as Chamber pop- an odd explanation, but probably the most accurate! My description would go more like this: ‘50’s style romantic pop mixed with folk, electro and angst’. On the whole the album is sweet and full of catchy chorus’ that come off as innocent pop. However, after a closer listen you realise Amy isn’t all sweetness and light. When you really listen to the lyrics you hear lines such as “You’re the biggest mistake I ever made”…. “I should have loved you more”….. and “My love is unrequited” – suddenly she isn’t this little girl with cute ditties and romantic tales- she’s you and me.