Driven by multiple layers of gorgeous vocal harmonies, Kristin Chambers commands her ballad, ‘Springtime Sugarcane’, with a cathartic resonance. Musically, the track builds into a glorious crescendo, invoking the same sort of power that one might traditionally take from a…
[embedyt] https://www.youtube.com/watch?v=ULJS1Nbj9r8[/embedyt] This week’s sessions is from Californian resident James Spaite who passed through London as part of a two month tour of Europe, in support of his album Riverside. James played a combination of two songs, here’s what he…
Something unmistakably vintage pervades Red Ghost, the newest album from Americana outlet Miles Maxwell. Formed by frontman Miles Baltrusaitis alongside brothers Matt and Dan Stankiewicz, this stretching of the roots rock muscles for these three is a natural extension of their previous work…
Randy Forte is the type of songwriter who many in and out of Nashville say they miss but never try to be. That is to say, the Americana that the artist embodies is reminiscent of a strong cross-section of warm-bodied 60s…
Amanda Shires wrote much of To The Sunset hiding in the closet of her Nashville home, but she opens the record by gazing at the stars on ‘Parking Lot Pirouette’ – “the stars, the shapes the constellations make, the burning…
Kate Vargas has packed houses from Ireland’s Westport Folk and Bluegrass Festival to The Troubadour in London, The Mansion on O Street in Washington D.C. to New York’s Bowery Electric. Her latest album, For The Wolfish & Wandering (out now),…