Josh Rouse has always been pretty prolific but it seems that lockdown proved a particularly fertile period for the Nebraskan songwriter. Following one of the most delightful Christmas albums of recent years (The Holiday Sounds Of Josh Rouse), it led to last year’s electronic…
For his second solo album since time was called on Sheffield’s Slow Club, Charles Watson seems in a bucolic mood. Gone are the woozy layers of 2018’s Now That I’m A River, replaced by a bright straight-forwardness. Yes is a perfect…
Conor O’Brien’s gradual inching from his acoustic folk roots since 2010’s Mercury-nominated debut Becoming A Jackal is fully realised in his kaleidoscopic fifth studio album. Recorded with a band pre-pandemic, it’s intriguing to wonder how much Fever Dreams morphed into its lysergic final shapes…
Inspired by the ancient Mount Paektu, Gruff Rhys’ latest solo album finds him exploring fertile territory while remaining both familiar and fresh. The Super Furries’ frontman has ploughed a rich and varied seam under his own steam for 15 years. Seeking…
After years of sonic adventure and leftfield swerves, Sufjan Stevens’ 2015 career highpoint Carrie & Lowell saw the restless songwriter drop anchor in the wake of his mother’s death. It’s barely-there arrangements cradled Stevens’ bleak grief with remarkably life-affirming results. I’m…
Brooklyn’s Woods share heritage with the likes of Kevin Morby (their former bassist), Real Estate and Kurt Vile. But 11 albums into their career, Woods’ pastel psych-pop/folk remains more under the radar (in the UK at least) than their contemporaries.…
“I’ve had my indicator on since leaving Crewe/That explains the gestures in my rear-view,” Brian Christinzio sighs over the doo-wop pop of ‘Born To Cruise’. It’s one of many superbly pithy couplets on his fifth BC Camplight album, Shortly After Takeoff,…
If, like me, you crave mince pies as soon as summer finishes, the gift of a Christmas album at the start of November is balm to the autumn soul. The fact it’s as perky and filler-free as Josh Rouse’s holiday debut is…
“I like you, I like you,” intones Justin Vernon on ‘iMI’, the opening salvo of his group’s fourth album. In the three years since the shadowy 22, A Million, Bon Iver’s convener has achieved a hard-earned contentment – even if…
“It sure feels good to be singing again,” Bill Callahan’s earthy baritone grins on ‘Writing’, one of the countless gems on his first studio album since 2013’s Dream River. In the intervening period, the 53-year-old has been preoccupied with marriage, fatherhood…