Our charity compilation, For Folk’s Sake It’s Christmas 2011, featuring original tracks from loads of our favourite artists was released a couple of weeks ago. The physical copies are close to selling out so we wanted to show you, our…
Tag: Paper Aeroplanes
News | For Folk’s Sake It’s Christmas 2011 – available now!
Please forgive us for adding to the bit-too-early Christmas chat, but we’re SO excited to announce the release of our second Christmas compilation For Folk’s Sake It’s Christmas 2011, which is out on 28th November 2011 and available to pre-order…
EP | Paper Aeroplanes – A Comfortable Sleep
Sarah Howells and Richard Llewellyn are Paper Aeroplanes, a Welsh duo beloved BBC Radio 2, and, if their activity this year is anything to go by – this is their second release of the year – very busy indeed. Upon…
Exclusive | Stream Tuesday from Paper Aeroplanes’ new EP
Paper Aeroplanes have announced the release of a new EP ‘A Comfortable Sleep’ on September 16th. Paper Aeroplanes is the project of Sarah Howells (posessor of one of the loveliest pop voices around – who also sings with Al Lewis)…
Album: Paper Aeroplanes – We Are Ghosts
Paper Aeroplanes started life back in 2005 when Sarah Howells and Richard Llewellyn first crossed paths in West Walians, Wales. The duo promptly headed to Cardiff and began playing acoustic sets under the name of Halflight and began to gain…
Album: Paper Aeroplanes – The Day We Ran Into The Sea
Born from the ashes of acoustic pop outfit Halflight, Paper Aeroplanes are the combined musical talents of vocalist Sarah Howells and guitar-man Richard Llewellyn – and it doesn’t take Poirot-esque detective skills to work out that the debut from welsh group Paper Aeroplanes is an indie-pop record – from the sweetly fairytale-ish album name to the cover art depicting vocalist Sarah Howells running through a field strewn with feathers – everything about Paper Aeroplanes screams of the kind of doe-eyed, twinkly twee currently being peddled by the likes of Noah and The Whale and Theoretical Girl. So how does the music itself measure up?