Inspiration for albums can come when you least expect them and for Jason Isbell, sitting at home on Election Day 2020, this is no exception. “Georgia Blue is a labor of love,” Isbell said. “On election day 2020, when I…
Shot in El Reno, OK last May, Joey Frendo debuts an acoustic rendition of his single, ‘Lordstown’, with For Folk’s Sake. It’s a hearty slice of bonafide blue collar Americana, wedged finely between the songwriting inclinations of a Jason Isbell…
The Grahams have turned a new leaf in 2021. Their new tunes, ‘Beyond the Palisades’ and ‘Pilgrims and Punks’, pave the way for an ambitious sonic evolution. More akin to throwback soul and cinematic dream-pop, their ‘innovator’ tag has been…
Don Armstrong is a family man. Urbane in philosophies on faith, love, and life, the New York-gone-Arizona singer-songwriter has long since developed an intuition for riding the humanity tramway. Armstrong’s observations on sheer mortal grit have developed him into an affable everyman—a folk artist whose music is denoted by the same traits that he is identified with in everyday life, like consideration, wit, and good humor. His artistic reflections are as multi-faceted and welcoming as he is, having made the wait for the Tucson-favorite’s Mother, Don’t Give Up on Me Now all the more difficult.
Brett Altman is the folk-pop pride of the Northeast, producing blues-influenced acoustipop tunes from his residence in Hoboken. Sam de Jesus, meanwhile, kicks it out in Florida as their musical wunderkind. Her gorgeous pipes and vibrant energy inundate ethereal pop…
Contemporary classical composer Elliot Cole debuts five new compositions in Journals, Vol. 1. The album is crisp, clocking in just shy of 20 minutes, and its stirring performances make it seem to pass by even faster. Joined by cellist Gabriel…