Author: Mark Buckley

Album | Signe Marie Rustad – Particles of Faith

It’s been over a decade since Signe Marie Rustad first introduced her talents to the world, though it wasn’t until her third album, When Words Flow Freely, that the wider public became fully aware of the sheer scope of that…

Album | MF Tomlinson – We Are Still Wild Horses

During the wild and scary days of January 2021, with everyone trapped and isolated from one another, Australian-born London-based songwriter MF Tomlinson suddenly realised how lonely he was and “how much I needed to make some music”. From the ashes…

Album | Meg Baird – Furling

Meg Baird first entered my life whilst still a member of psychedelic folk rockers Espers, when she released her solo album Dear Companion back in 2007. She also records with her sister Laura as the wildly originally monikered The Baird…

Album | Hushman – Hushman

“I am not from a family of tradition bearers, but my forebears hail from all over the British Isles and music is in my bones. I think song is a great medium to tell a story and it’s an amazing…

Album | Eliza Carthy & The Restitution – Queen of the Whirl

“Music is mathematics. You can actually learn about the science of how arpeggios affect your nervous system. Music is so undervalued. It can be life-changing.” – Eliza Carthy To be honest, if you’re reading this review on For Folk’s Sake,…

Album | Native Harrow – Old Kind of Magic

In the first few days of 2021, the two-piece London band Native Harrow – Stephen harms and Devin Tuel – moved to Brighton, on the south coast of England, living at the top of a crumbling, regency building and decided…

EP | Josienne Clarke – Now & Then

Surprises come in many forms, but none in any finer or more beautiful shape than this release by Josienne Clarke. Recorded as a stop gap between last year’s amazing A Small Unknowable Thing and its companion EP I Promised You…

Album | Lambchop – The Bible

On the ‘His Song Is Sung’, the opening track of Lambchop’s new album The Bible, the listener is eased in with plaintive piano and orchestration before Kurt Wagner’s voice cracks through warmly – ‘In the spring the view was better/And…