Ned Stranger, best known to FFS readers for his work with August and After, released his second solo single ‘Berlin In The Spring’ earlier this month. So we caught up with the nomadic troubadour to find out all about his…
Brooklyn’s Woods share heritage with the likes of Kevin Morby (their former bassist), Real Estate and Kurt Vile. But 11 albums into their career, Woods’ pastel psych-pop/folk remains more under the radar (in the UK at least) than their contemporaries.…
This week we bring you another video from our session with Catherine Rudie, again accompanied by her band The Kisses. This track is an unintentionally topical musing on risk, and can be found on Catherine’s new(ish) album, The Möbius Kiss.…
“Thought I was alone in the world, until my memories gathered round me in the night” Jason Isbell sings on ‘What I’ve Done to Help’, the opening track to Reunions. The rolling chorus repeated like a mantra towards the end,…
Like true, blue folkies, the Coo’s adventure began with a serendipitous meeting at an open mic in Amsterdam. Such is why the duo—comprised of Matt Arthur and Jara Holdert—meeting in an Amsterdam cathedral to perform their new EP, Amsterdam Moon,…
Long before there was a trilogy of albums on the history of Essex, the 2012 instrumental record inspired by Lidos, an EP of tunes inspired by diesel commuter trains, or Chants for Socialists, Darren Hayman used to specialise in songs…
We live in strange times. No one is more aware of that than Steve Earle. “One of the dangers that we’re in is if people like me keep thinking that everyone who voted for Trump is a racist or an asshole,…
“Every brick you’ve hurled, I’ll use to build the world” The Amazing Devil’s record begins, as all should do, with the wind howling and a low bass reverberation, with Joey Batey and Madeline Hyland’s spoken-word delivery. It then spills directly…
My Girl the River is the project of Louisiana singer and musician Kris Wilkinson Hughes. The band is fleshed out by her husband Joe and daughter Ruby on double bass and harmonies respectively. Cardinal in the Snow is the follow…
A scoundrel of the mundane, Mr. Alec Bowman describes himself in the sleeve notes to this album. He goes on to dedicate it to his grandparents and to those who are struggling to stay alive, amongst others. The album itself,…
Andrea Magee’s ‘Floating Heart’ is just the kind of music that we need right now, more than ever. Especially in the face of times uncertain, a message of peace in a reminder that everything will be alright in the end…
Society has a tendency of revisiting history. Hauntology excites this fact whilst wearing the mask of a newfound philosophy, rooted in the circular tides of politics and cultural expressions over eras and decades. Then, there are stories of yurei—ghosts—that have…
Last month, For Folk’s Sake readers were introduced to EllaHarp as she took on our ongoing ‘FFS 5’ interview series. Therein, we were given a window to peer into the life of Ella Dawn Jenkins—the woman behind the multifarious folk,…
For all of its intense focus on technical precision, the heartbeat of classical composition is stirringly close to the often simplistic, often imperfect realm of folk interpretation. There’s a reason, after all, why the works of Chopin or Farrenc are…
Things are a bit quiet at the studio at the moment because of… well, you know why. But we still have a few things to bring you from brighter days. First off we have a second session track from Boat…
“The world’s falling apart – it’s like the apocalypse” spits the accompanying press release to Lucinda Williams’ latest record Good Souls, Better Angels. It sounds like something that could’ve been written about these strange times we’re living through, but it…
“I’ve had my indicator on since leaving Crewe/That explains the gestures in my rear-view,” Brian Christinzio sighs over the doo-wop pop of ‘Born To Cruise’. It’s one of many superbly pithy couplets on his fifth BC Camplight album, Shortly After Takeoff,…
