Fans of The Rumble Strips will have been shocked when they heard the hornless first release from the new album Welcome to Walk Alone. Given the band have teamed up with producer Mark Ronson, you might be forgiven for expecting it to sound like Grimethorpe Colliery Band covering the back catalogue of Dexy’s Midnight Runners. Instead it opens with the majestic ‘Welcome to the Walk Alone’ which is reminiscent of Scott Walker’s saturnine best.
Nineteen year old Australian Lisa Mitchell has come along way since her breakthrough as a finalist in the 2006 Australian Idol. Even then as a little sixteen year old, she showed immense potential that is finally getting realised. Lisa has taken a hop, skip and a jump from Albury, New South Wales, all the way over to London to prepare her debut album Wonder.
If you don’t like Bluegrass then you might as well stop reading now.
Hello…(hello)…(hello). This here internet sure has a mighty big echo when it gets empty. Well, since you’ve stuck around I’ll keep on reviewin’:
Hooting and Hollowing is the latest musical gem from the Wild Beasts. Although the four piece from Kendal still ooze theatrical charisma, the absurdly fantastic quirks that defined their first album are slightly diluted and replaced by mystical guitar echoes, layered arrangements laced with understated funk and a deep bass that punctuates the song.
On first listen to Pocketbooks debut album there is one band name that pops into your head that you fear will be haunting this young group for their whole artistic career. This album sounds so much like Belle & Sebastian you wonder if they would have a leg to stand on if taken to court for plagiarizing by a furious Stuart Murdoch. The vocal tune structure is the biggest give away, rising and falling melodies that continue for longer than groups think to try (maybe this is because B&S made it their own), and that steamroll through each song almost pulling the rest of the instruments with it.
Another year and new legends are born. Which moment will be remember for the longest from this year’s Glastonbury Festival is as impossible to guess as the weather was through this unpredictable June weekend. Neil Young and Bruce Springsteen showed the world that rock stars approaching, or even well into, their sixties can still blow their younger counterparts off the stage, Blur drew tears from everyone as Damon Albarn broke down on stage during the tear jerking classic ‘To The End’ and secret guest appearances from Jack White’s Dead Weather, The Klaxons and even The Boss himself ensured that this would be a year to remember.
“I hate Glastonbury so much, I really do.” Now, as festival gambits go, this is a feisty (if not downright wreckless) one. However, 10 minutes into a Worthy Farm debut marred by sound problems, tetchy stewards and an unresponsive crowd, Slow Club perhaps have the right to be a little miffed. Fortunately, as the set develops, Rebecca’s spikiness serves to cajole the initially apathetic Guardian Lounge crowd to life and lends the songs a feverous energy which, coupled with the pair’s increasing confidence on stage, gets people on their feet. Such is the group’s enthusiasm, that by the time Giving Up On Love has rollocked its way to glorious conclusion even the floating voters have no choice but to get up and boogie. The world is going love Slow Club, or Rebecca is going to have words…
The Angel Brothers say the new album – their first in four years – call their new album is “cinematic folk funk”. FFS’s Kat Nichols spoke to them about their return to the music business.
The Southbank Centre has announced it’s series of summer gigs, which features folk artists Laura Marling, Emmy the Great, Mary Gaulthier and Emiliana Torrini.
The gigs begin on July 19th. Here are FFS’s picks:
Laura Marling has released extra tickets for the ‘Laura Marling and Friends’ Royal Festival Hall show on 11th August.
SXSW winners (i.e. the ones people went on about the most) Local Natives are heading to London this month for three dates.
The Wave Machines have announced that they have 100, yes ONE HUNDRED, pairs of tickets to their iTunes festival gig with Graham Coxon to give away.
As the more die-hard Peggy Sue fans among you might have noticed, they’ve been in the states for ever and ever. Aside from visiting multiple major cities to grace them with Peggy Sue delights, the band have been busy as bumbles recording their debut album.
Robin started the band as a solo side project to a much louder band that I was in at the time. It was kind of Biffy-esque. I guess I just wanted to do something that represented the kind of music that I was listening to at the time. I met Jami [Wise Children’s cellist] through recording as the producer and I were desperate to get some cello on the record and Jami was suggested. The results were excellent and so he was recruited full time! The rest of the band has been a little less stable and several members have come and gone. We now have another full-time guitarist called Tim and are basically still recruiting, but it’s always been that way. I started it as a solo project with the idea of people helping out and performing as and when they can and it’s only through time that a more permanent form has developed.
Since the undeniable wonder of the album First Love, Emmy the Great has been touring like a superwoman, planning a tour of Asia and preparing for Glastonbury, but she’s still squeezed in time to record a new EP. ‘Edward’ will be released in July on limited 12″ vinyl and MP3, and after that will be included in all new issues of First Love.
It seems that whenever the economy takes a bad turn electro-pop comes creeping back out of the woodwork. Wave Machines’ debut album ‘Wave If You’re Really There’ is one of many recession-electro releases that we’re to be subjected to this year. Its not all bad news though, this release might just have enough great dance tracks to stand out from the crowd.
Posthumous Success is Tom Brosseau’s eighth album in four years and I have not been able to get it out of my head. A prolific songwriter and performer, as well as a writer of stories and other musings on his blog (tombrosseau.com/blog), the North Dakotan clearly has a lot to say, but his music is remarkably uncluttered and beautiful.