Fanfarlo frontman Simon Balthazar took a break from their UK tour to answer FFS’s questions.
‘Summertime Clothes‘ is one of the best tracks on one of the best records of the year, Merriweather Post Pavilion. If you don’t own the album, stop reading now and go and buy it. The real challenge for Animal Collective now is to make the single worth getting as well.
As the achingly beautiful strings of the intro to Parliament of Owls’ debut Crow swelled beneath the singing of birds and a David Attenborough-like voice began to speak, I was stunned into awed silence. Any looming dread about having to review a two-disc album disappeared in one magnificent surge of music and, as commanded by the voiceover, all I could do was “wait and listen for the first songs to begin”.
Butcher Boy have had quite a year. Their second album React or Die received rave reviews across the board with the Times rock critic Pete Paphides declaring “Butcher Boy have set a standard against which every other release this year must surely be judged”. The band are set to fulfil a long-held ambition this month by performing a live film score to Cocozza film Chick’s Day at Glasgow Film Theatre. Songwriter and frontman John Blain Hunt kindly agreed to answer our questions…
FFS are pleased to announce the winners of our competition to win Young and Lost Club goodies.
Folk-pop darlings Slow Club are to play a secret show at Camden’s Flowerpot tonight.
The Sheffield charmers, who release their debut album next month, are playing a previously annanounced spot at the one-month-old venue and will be on stage at 10pm.
The Brighton-based Willkommen collective – which includes The Leisure Society, The Miserable Rich, Sons of Noel and Adrien and more – have moved their mini festival from one stately home to another and tickets are now available.
King Creosote will play an impromptu set in Hyde Park this evening ahead of their gig at the 100 Club.
The Fife based collective are the latest band to perform on one of the many bandstands in London’s parks this summer.
Caroline Weeks (multi-instrumentalist from Bat for Lashes) presents her solo debut in tribute to poet Edna St. Vincent. Which for starters may I just say- feels incredibly refreshing. Not to have a ‘self titled’ album with narcissistic tales of a tortured band member previously in the shadows. Caroline has put nine of Edna’s poems to music with a simple backdrop of finger picked guitar loveliness. Simplicity is the running theme here, with only the odd flute and bell making a cameo with her voice and guitar double act. She eases you into her world gently with ‘See where capella with her golden kids’ and takes you on a slow boat ride through Edna’s works.
There’s something in the water in Brooklyn that makes it churn out the coolest of cool bands- Grizzly Bear, Vivian Girls, Bear Hands to name but three, with Matt and Kim’s superbly simple and imperfect DIY indie somewhere amongst all those. And this sampler of Matt and Kim’s second album, Grand, is as bare-boned and rough around the edges as you could wish for, or very Brooklyn.
The long awaited Around The Well is split into two halves, the first a soft collection of home recordings, the second a spruced up smattering of studio work. Disc one is reminiscent of 2002’s “The Creek Drank The Cradle” in that it is restrained of detail and relies solely on a minimal amount of musical instruments. This gives it a wholesome, stripped down atmosphere, and seeing as all 11 tracks on the first part are unedited and raw, there is nothing to distract from Iron & Wine’s (Sam Beam’s) genius.
Fixing you into a lazy haze-filled melancholy from the get go, Draw Me Stories bring their second album of folk infused ambience, this time with added roots. Following on from their debut The Plugged Sessions, the Welsh troupe unplug and play with their voices and more instrumentation to create a delicious album full of transcendental hymns.
Ah, be still my beating heart! If ever someone was to capture the gentle-giant ethos through music, this is it. The third album by husky baritone troubadour Grant Campbell offers a delicacy which manages to penetrate the most heavy hearted amongst us, and leave a mass of quivering wrecks in its wake.
Whilst the rest of us are busy dusting down our wellies, rolling out our tents and bracing ourselves for the start of festival season, songstress Laura Marling has just excitedly announced that she will be gearing up to support Neil Young on part of his European Tour.
This Friday (29th May), Woodpigeon will bid a fond farewell to the UK and migrate back home for the summer (or a bit of it, at least). The final gig of their tour will take place at the Art Workers Guild in Bloomsbury, as part of a ‘Chamber concert’ hosted by the fabulous Duke of Uke crew.
Slow Club, a pair who are much revered by us all at FFS, have finally announced the release date for their début album, Yeah So. Now, don’t get too excited just yet. We do have to wait until 6th July to explore the pleasure trove that Charles and Rebecca have doubtless put together for us, but luckily they have a bit more brilliance stuffed up their plaid sleeves.
Listening to Rachel Harrington sing tales from her second album, City of Refuge, is akin to being sat in front of the fire by your great aunt Bess and told the stories that made her a woman in a time when wagons rolled and the fiddle and the banjo were played without a hint of retro irony.