Ahead of the release of their debut album early next year, welcome to the second instalment of a five-part confessional from members of Patch & The Giant as they admit to past crimes of the light-fingered variety, and offer up…
Gallery 47 is the name given to Jack Peachey’s revolving assembly of Nottingham musicians, due to release their third album in November. Clean is the follow-up to 2014’s All Will Be Well, a record which helped earn Peachey a support…
Josienne Clarke and Ben Walker return with their fifth full-length album together (though one is just credited to Clarke) and fans of the previous efforts together will not be disappointed by this one either. To these ears, Clarke has one…
In Great Britain, Kate Rusby is nothing short of a national treasure, yet stateside she remains a largely unheard commodity. 14 albums in, her 24-year career has set an unrivaled standard for quality. Life In A Paper Boat does nothing…
As a green 17-year-old I attended an interview for a place at university. Noting Maths and English were among my A levels the interviewer asked, “Have you found any common ground between science and art?” Had I been aware of…
If Willy Vlautin were a nostalgic man, he might be starting to get emotional about now. If Vlautin strolled down memory lane he might prepare for Richmond Fontaine’s final ever live shows thinking about their first. But if Vlautin were…